One of the most powerful tools a composer brings to your film is the ability to make the stakes feel like they're constantly rising — without a single line of dialogue or a single additional frame.
What do we do when we need to make present-day music sound “retro?” That’s the question I faced when having to write a romantic theme in the style of a 1950s Hollywood film.
It’s not often I get the chance to write music for a project that’s in pre-production, so when I was approached to do exactly that for a Crime Thriller set in Nigeria…
I was well-acquainted with the kind of freezing weather on display in this section of the documentary. It can be painful but beautiful at the same time.
Halloween is my favorite holiday. I use it as an excuse to watch a bajillion horror movies, and also to listen to my favorite kind of movie music - horror movie music.
I recently wrote the score for John August’s video explaining The Start Button - a new way for WGA members to track their current projects and request help from their guild if they need it.
I’ve been listening to Lorne Balfe’s score to Mission Impossible: Fallout a lot lately, and this idea started developing in my head: what if an Ethan Hunt-type character (let’s call him, I dunno, “Jira”) had to save the world from The King of the Monsters by running a lot?
This is a gift I gave to my students and co-workers before I left my school in Japan. I wanted to give the school something unique. I came up with this - an action movie arrangement of their song.
Adventures of Miss Fit is the definition of a passion project. Gregg and Denise Simpson put over five years of their life into this cool documentary about Real Life Superheroes. What do I mean by “Real Life Superheroes?” Does that mean police officers and firefighters?